Tamannaah Glamour made Family Audience uncomfortable in F3
Tamanna and mehreen contributed, although they did not appear as glamorous as they did in F2, and their presence in the second half was minimal. Their roles are similar to that of the first installment's extensions, and they are dominated onscreen by venky and varun Tej. This will be Sunil's comeback role, and he will be seen in his vintage look and dialogue modulation for the first time in a long time.
F3 isn't a brand-new story, but the comedy was developed in line with contemporary trends. f3 is an unremarkable tale with some fascinating comic bits intermingled, with little logic and calculations. The comic writing abilities of anil ravipudi deserve special recognition. The first half is filled with funny scenes, while the second half sticks to a tried-and-true premise of recognizing the son of a famous businessman among four fraudsters. The cinematography is adequate, and the storyline is excellent.
The songs aren't really good, and pooja Hegde's song falls short of expectations. The music in the background is adequate. There were several storylines that worked well with the audience, from missamma to Chantabbayi, where the plot revolved around finding the lost son or daughter of a wealthy family. Anil Ravipudi, the director of f3, chose a story that was a few years old at the time. Even the moments in which people claiming to be the son are put through various procedures are ancient. The modern comedy, which the filmmaker makes the most of, is the only thing that succeeds here. During the glam show of two heroines, the audience felt uneasy.
F3 isn't a brand-new story, but the comedy was developed in line with contemporary trends. f3 is an unremarkable tale with some fascinating comic bits intermingled, with little logic and calculations. The comic writing abilities of anil ravipudi deserve special recognition. The first half is filled with funny scenes, while the second half sticks to a tried-and-true premise of recognizing the son of a famous businessman among four fraudsters. The cinematography is adequate, and the storyline is excellent.
The songs aren't really good, and pooja Hegde's song falls short of expectations. The music in the background is adequate. There were several storylines that worked well with the audience, from missamma to Chantabbayi, where the plot revolved around finding the lost son or daughter of a wealthy family. Anil Ravipudi, the director of f3, chose a story that was a few years old at the time. Even the moments in which people claiming to be the son are put through various procedures are ancient. The modern comedy, which the filmmaker makes the most of, is the only thing that succeeds here. During the glam show of two heroines, the audience felt uneasy.