Why Defaming Tollywood under 'Pan-India' name?
Why Defaming tollywood under 'Pan-India' name?
Reserve Pan-India labeling for truly scalable films.
Focus on crafting engaging narratives
Prioritize quality over quantity
Tollywood's recent obsession with Pan-India releases has yielded mixed results. While some films succeed, others plummet. Except for Baahubali and RRR, telugu films have struggled to make a significant Pan-India impact.
The trend of labeling every film as "Pan-India" has diluted its value. Even small-budget films with relatively unknown actors are being marketed as Pan-India releases. Furthermore, dividing stories into two parts (Part 1 and Part 2) has become a misguided strategy.
This approach, Stretches the narrative thin, leading to boredom, Wastes the time of star heroes, limiting their annual output, and Creates unrealistic expectations, damaging Tollywood's reputation. Not all films are suited for Pan-India success. Recent flops like Devara, Aadi Purush, and saaho demonstrate this. Directors claiming that dividing films into two parts increases revenue are misleading producers.
To salvage Tollywood's reputation, caution is necessary. We need to reserve Pan-India labeling for truly scalable films. Focus on crafting engaging narratives, not artificial sequels. Prioritize quality over quantity, ensuring star heroes' time is utilized efficiently. Only then can tollywood maintain its credibility and deliver genuinely successful Pan-India films.
Reserve Pan-India labeling for truly scalable films.
Focus on crafting engaging narratives
Prioritize quality over quantity
Tollywood's recent obsession with Pan-India releases has yielded mixed results. While some films succeed, others plummet. Except for Baahubali and RRR, telugu films have struggled to make a significant Pan-India impact.
The trend of labeling every film as "Pan-India" has diluted its value. Even small-budget films with relatively unknown actors are being marketed as Pan-India releases. Furthermore, dividing stories into two parts (Part 1 and Part 2) has become a misguided strategy.
This approach, Stretches the narrative thin, leading to boredom, Wastes the time of star heroes, limiting their annual output, and Creates unrealistic expectations, damaging Tollywood's reputation. Not all films are suited for Pan-India success. Recent flops like Devara, Aadi Purush, and saaho demonstrate this. Directors claiming that dividing films into two parts increases revenue are misleading producers.
To salvage Tollywood's reputation, caution is necessary. We need to reserve Pan-India labeling for truly scalable films. Focus on crafting engaging narratives, not artificial sequels. Prioritize quality over quantity, ensuring star heroes' time is utilized efficiently. Only then can tollywood maintain its credibility and deliver genuinely successful Pan-India films.