A Filmmaker Stands Firm Amid Online Trolling

Director Boyapati Sreenu, known for his unapologetically high-voltage storytelling, has finally addressed the criticism and trolling surrounding Akhanda. Rather than retreating or offering justifications, boyapati chose to embrace the very idea being mocked — declaring that Akhanda is, in essence, a superhero film rooted in indian sensibilities.

And he makes no apologies for it.

Reframing the Narrative: mass cinema With Mythic Power

According to boyapati, the outrage misses the point. Akhanda was never meant to be restrained realism. It was conceived as a mythic figure brought to life, blending spiritual power, moral absolutism, and larger-than-life action.

“Akhanda is not an ordinary man,” boyapati explains. “He represents belief, faith, and divine justice — that itself makes him a superhero.”

When Faith Replaces Physics

Much of the trolling targeted the film’s gravity-defying action and exaggerated heroism. boyapati counters this by pointing out that Indian storytelling has always celebrated superhuman figures — from epics to folklore.

In that context:

· Akhanda’s strength is spiritual, not scientific

· His invincibility comes from belief, not biology

· His actions are symbolic, not literal

The director argues that expecting realism in such a character is to misread the genre entirely.

Mass cinema Isn’t Meant to Whisper

Boyapati Sreenu remains firm that mass cinema thrives on amplification, not subtlety. Loud emotions, heightened conflict, and over-the-top action are tools — not flaws — when used deliberately.

“Akhanda was designed to be experienced in a theatre, with whistles, chants, and goosebumps,” he says, suggesting that online criticism often ignores the collective viewing experience.

Trolling vs audience Acceptance

While social media continues to debate logic and realism, boyapati points to one undeniable fact — audience response. Akhanda resonated strongly with mass audiences, particularly in single-screen theatres, where the film became a cultural moment rather than just a cinematic product.

For the director, that acceptance matters more than internet mockery.

A Filmmaker Unwilling to Dilute His Voice

Boyapati’s comments also underline a larger statement about creative freedom. He makes it clear that he has no intention of diluting his storytelling to appease online critics.

“There are different cinemas for different audiences,” he asserts. “I make films for those who believe in this style.”

Akhanda as a Modern-Day Myth

Seen through Boyapati’s lens, Akhanda is not just a mass entertainer — it’s a modern myth, where the hero functions as a force rather than a person. In that sense, comparing akhanda to a superhero isn’t exaggeration — it’s definition.

Final Word: Owning the Roar

In defending Akhanda, boyapati Sreenu doesn’t fight the trolls — he reclaims the narrative. By calling akhanda a superhero, he reframes criticism into clarity, standing tall in his cinematic conviction.

Love it or question it, Akhanda was never meant to be ordinary. And boyapati Sreenu is perfectly fine with that.

 

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