The music of telugu films has significantly declined in recent years. The musical score by Mahati Swara Sagar for "Bholaa Shankar" was eagerly awaited, particularly for its potential to enhance the Megastar's performance. The ultimate outcome, nevertheless, fell short of expectations, which sparked a torrent of criticism and trolls in the weeks after the movie's premiere. His renowned father is now receiving criticism for the disappointment his son had created.
The well-known composer Mani Sharma, who was formerly hailed as the master of melodies and background music, has recently disappointed. The apocalyptic-themed movie "Bedurulanka 2012," which was released yesterday, provided a fantastic chance for a captivating and engrossing background soundtrack.
Unfortunately, the music's effect was noticeably lacking even in theatres with Dolby Atmos technology. The lack of engaging sound design and new background music was glaring, and the songs from the movie, in contrast, rapidly faded from memory.
Expectations were high following the success of "Ismart Shankar," but Mani Sharma's efforts on "Acharya" and "Bedurulanka 2012" didn't meet those expectations. The problems for the experienced composer have been made more difficult by this lacklustre reception, which parallels the previous disappointment brought on by his son's work. It is anticipated that both songwriters would pay close attention to the criticism that fans and audiences are voicing.
The well-known composer Mani Sharma, who was formerly hailed as the master of melodies and background music, has recently disappointed. The apocalyptic-themed movie "Bedurulanka 2012," which was released yesterday, provided a fantastic chance for a captivating and engrossing background soundtrack.
Unfortunately, the music's effect was noticeably lacking even in theatres with Dolby Atmos technology. The lack of engaging sound design and new background music was glaring, and the songs from the movie, in contrast, rapidly faded from memory.
Expectations were high following the success of "Ismart Shankar," but Mani Sharma's efforts on "Acharya" and "Bedurulanka 2012" didn't meet those expectations. The problems for the experienced composer have been made more difficult by this lacklustre reception, which parallels the previous disappointment brought on by his son's work. It is anticipated that both songwriters would pay close attention to the criticism that fans and audiences are voicing.
