'Yellow' Fever Hits Burra's Talent?
Today, I watched "The Warrior" by Ram. My entire attention has been devoted to dialogue composition. Burra Saimadhav is a dialogue writer for telugu movies who first gained notoriety for his work on Krish's early films. His time spent travelling with that director and the projects he completed for him established his talent. He finally appears to have become distracted by extracurricular activities, leaving his primary task in the backseat. I question if the dialogues written for Ram's recent film 'The Warrior' are by Burra or some other rookie.
This movie contains no singular noteworthy line of dialogue. Tamil-speaking Lingusami is the director. Therefore, it is the telugu writer's responsibility to provide the best dialogue possible. Only when the screenwriter controls the movie does that happen. He might not have given his writing a second thought and merely scrawled the first draught of whatever he came up with. This is how I felt while I watched the movie. The Warrior is a big-budget movie with a specific audience in mind. It goes without saying that dialogue is a crucial component of these movies.
In actuality, Burra is unlike trivikram or puri Jagannath, who excel at bringing their signature best to every movie. He is a brilliant writer nonetheless, albeit not up to the calibre of the aforementioned two writer-directors. Burra is currently quite busy due to his tdp involvement. He appears to have stayed in the character of Peetambaram ever since he played the part in ntr Kathanayakudu. He grew close to balakrishna and started spending time participating in tdp activities.
He might be anticipating some writing assignments from tdp for the party's campaign during the upcoming general elections. Or he might be hoping to continue working with balakrishna as a writer to produce his future movies. Nothing is wrong with that. He is ignoring his primary occupation, but he is unaware of it. It's clear from the trite conversations he scripted for The Warrior. He should be aware that as long as he maintains his position as the leading expert in his primary field, he will be important to any party. If not, the party may exclude him without prior notice.
This movie contains no singular noteworthy line of dialogue. Tamil-speaking Lingusami is the director. Therefore, it is the telugu writer's responsibility to provide the best dialogue possible. Only when the screenwriter controls the movie does that happen. He might not have given his writing a second thought and merely scrawled the first draught of whatever he came up with. This is how I felt while I watched the movie. The Warrior is a big-budget movie with a specific audience in mind. It goes without saying that dialogue is a crucial component of these movies.
In actuality, Burra is unlike trivikram or puri Jagannath, who excel at bringing their signature best to every movie. He is a brilliant writer nonetheless, albeit not up to the calibre of the aforementioned two writer-directors. Burra is currently quite busy due to his tdp involvement. He appears to have stayed in the character of Peetambaram ever since he played the part in ntr Kathanayakudu. He grew close to balakrishna and started spending time participating in tdp activities.
He might be anticipating some writing assignments from tdp for the party's campaign during the upcoming general elections. Or he might be hoping to continue working with balakrishna as a writer to produce his future movies. Nothing is wrong with that. He is ignoring his primary occupation, but he is unaware of it. It's clear from the trite conversations he scripted for The Warrior. He should be aware that as long as he maintains his position as the leading expert in his primary field, he will be important to any party. If not, the party may exclude him without prior notice.