KGF is one of the films that has blurred the boundaries between indian languages. The whole country was talking about the film which was made in Kannada. The whole country saw it. That is why audiences across the country were eagerly awaiting the sequel to the film, kgf Chapter 2. Teasers and trailers have raised those expectations even further. Does the film live up to those expectations? 

There is no notable Story. The second part begins where the first part ends. How did Rakhibhai, who had taken the gold mining empire Narachi into his own gut, then data-face his enemies? This time there will be a political feud with prime minister Ramika Sen (Ravinatandain). Adhira (Sanjay Dutt), who wants to die, returns and enters the field for Narachi. 

The film is about how rocky Bhai data-faced so many challenges. kgf Chapter 1 is a movie that gives a new meaning to heroism and elevation. Rakhi Bhai, an ordinary boy growing up to be a gangster, captivates the audience. The audience fell in love with the kgf empire as well as heroism. That is why so much interest was expressed in the second part. Along with the elevations of heroism, the level of the film, the visuals, and the music seems to be detrimental to the first film. But in terms of storytelling, the film did not live up to expectations. 

In the first part the hero captivates the growing audience. Here, however, the graph does not appear in the role of the hero. The already grown hero will fly only when colliding with enemies. The twists and turns that take place in that sequence do not give a big kick. No matter how grandiose or heroic they may be, they need to be given the strength they need in terms of storytelling and storytelling. The film lacks that strength. 

Although the character of prime minister Ramikasen (Ravinatandain) is added to the story to remind Indira Gandhi, along with Adhira (Sanjay Dait) who can crush the hills, the attempt is used for heroism as if it were a force to be reckoned with. The scenes in the background of the hero, Ramikasen, feel like Mary Over. A gangster goes directly to the Prime Minister's office and gives a warning directly to the Prime Minister. 

As it turns out, he brings his army into parliament and shoots an mp in front of the prime minister. Every scene like this is meant to elevate heroism. However, the scale of the film, and the way the hero character is unveiled will once again impress the audience. kgf will further satisfy the fans. The scenes in which the hero returns after being beaten by Adhira and joins his army again, the horror of creating a small gold biscuit in front of the police station and the chase of the enemy for the heroine are brought to the forefront of the film. 

The climactic scenes are also impressive. yash was impressed once again in terms of acting. Demonstrated unparalleled uniqueness in action events and heroism. Sanjay Dutt's admirable appearance is good but his character does not have a big impact on the film. raveena tandon appeared in a powerful role. The heroine Srinidhi Shetty made noise in the key scenes. Rao Ramesh, Prakash Raj, Ishwarirao and others are also impressed. Technically this movie is magic. 

The visual is wonderfully crafted. Little is said about the camera department's expertise in that regard. The music played a key role in inventing heroism even though it seemed loud there. The director added all the hanguls with a focus on satisfying the kgf audience. His scene painting is amazing. The technique of quoting two or three different scenes and using them in terms of elevations is magical. 

No more dialogues to say. Every word .. exploded like a bullet. The saying `heads change here .. not crowns` is like a crown. Dialogues written comparing Chadrangam and Vaikunthapali seem apt. Construction values appear at every step. The film shares the pre-Diwali diwali experience with kgf fans and yash fans. To the general audience, the film seems to be confusing and burdensome with too many heroic scenes. Finishing Touch: Elevation Ka Bap