Awaken, Mani Ratnam: He Wishes For A Truth Test?

Sudha Subbiah
His exceptional works include Nayakan, Roja, Bombay, Iruvar, Dalapathi, Sakhi, and Adequate Bangaram.

Lately, he turned and asked why tamil cinema has no longer been capable of producing one thousand crore movies like tollywood or Bollywood.

Why isn't kollywood delivering a thousand-crore grossers?

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Mani Ratnam answered:

"That's greater vital-container workplace or pleasant films? Earlier, audiences targeted quality. Now, it's all approximately enterprise. I am hoping this shift does not kill fine in the future. I cannot make films just for the container workplace."

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At the same time as his reaction sounds idealistic, it also feels old. Does he honestly agree that the most effective terrible movies make a thousand crores? Were Baahubali, Dangal, or rrr missing in great? Were Jawan or kgf terrible films?

Those films were controlled to supply both enjoyment and satisfaction, proving that commercial fulfillment and good cinema can go hand in hand.

In place of addressing the real issues, mani ratnam selected to data-border it as a debate among the best and field office—a story that has been used too regularly to deflect grievance.

He ought to have mentioned that tamil cinema has yet to make films that enchant all sections of the audience like telugu or hindi films do.

It'd've been more sincere to accept that kollywood is lagging behind and to speak about the challenges of preserving it again.

Lamentably, he chose the more secure direction—keeping off introspection and falling back on an overused argument.

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