A Movie with ZERO POSITIVES - Is this SHIT movie Festival Release Worthy ?

G GOWTHAM
Regretfully, it is devoid of a compelling plot and compelling storyline. Naturally, only the hero's and a few other characters in the movie captivate filmmaker Raju Murugan. Apart from the role characterizations, he has not contributed to the plot or conflict of the movie.

"Japan" is not without its flaws. There are only a few truly memorable moments in this bland and conventional movie. The picture suffers from extended scenes and lacks impact in the action scenes. There are several really dull moments, and a lot of them are just fluff and platitudes. An engaging cat-and-mouse game is essential for a heist-action comedy, but when it's done badly, the audience loses interest in what's going on. The police force is portrayed as being incapable and feeble. The story becomes uninteresting when peripheral characters and their backstories are given too much attention. Both the romance number with her and the heroine tune seem forced.

The movie challenges the audience's patience and doesn't get any better after a while. The film's emotional core is great, but it's reserved till the very end—by which point it's too late. There are specific reasons why the movie reminds me of "Temper." Though noteworthy and unique, the film's climax is unable to save the story. The film "Japan" suffers from a lacklustre script and direction. Why karthi accepted such a rudimentary writing is a mystery. The protagonist of "Japan" is described as "It bounces back even after going down," but in actuality, the movie never does.

In fact, it just falls, falls, and falls.

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