Naan Mirugamai Maara Review - Sasikumar scores High
'Naan Mirugamaai Maara' is a collaboration between actor sasikumar and filmmaker Sathya Siva of Kazhugu fame. The film has vikranth as the antagonist and hari Priya as the female lead. The film is an action-thriller containing gratuitous bloodshed and violence. When his younger brother (Sasikumar) is brutally murdered by ruthless gangsters while attempting to kill their intended victim (Madhusudhanan Rao), his elder brother (Sasikumar) vows vengeance, only to discover that the gang's boss is more venomous than he expected.
Sasikumar has been known for his village-based roles and commercial entertainers, which frequently make him appear as an alien in city-based films. He tries his hardest in this film, which is entirely set against metropolitan surroundings. haripriya appears in a limited role and she has done justice to her characterization.
To begin with the positive aspects of this film, satya Siva's script deserves praise. The film's running time of almost 2 hours keeps us interested. He aims to deliver a unique stroke in a few sequences to demonstrate his screenwriting prowess. This covers the introduction of the villain characters, all pointing to the same scene, and culminating with the debut of Vikranth. While the first half is filled with exciting scenes, the second half emphasises emotions through the eyes of family members. satya Siva has successfully matched horrific brutality with family sentiments. His skill to continually delaying the hero-villain showdown until the perfect time is the film's biggest asset; otherwise, it would have become a standard commercial film.
Sasikumar does his hardest to give his all to the part, although he appears emotionless in a few instances. This is an emotional play, and we need to see the data-face emotions reflecting those moments, but he chooses Subramaniapuram shades. vikranth doesn't have much to do and is more of an extended cameo. With the exception of the phone calls, he has little to offer as a villain. The others have completed the tasks assigned to them. Ghibran's BGM adds to the film's value. The cinematography in the action sequences is excellent, although some of the aerial vistas appear unnecessary. Editing is acceptable. One of the most important aspects of appeal is action choreography.
Overall, satya Siva has written a compelling plot that keeps us interested. Although there are sentiments, this may not be an option for family audiences, and it may be a takeaway for gory violent action film fans.