Producers Not Learning from Recent Duds
In every locale, Rajamouli's "RRR" was sold for inconceivable sums. To recoup the money, the producers utilised all of their clout with the telugu state governments, obtaining special authorization to raise ticket prices. In telangana, "RRR" was screened at the highest ticket pricing ever. Fortunately, the film was able to recoup its telangana investment. However, many small buyers and exhibitors in andhra pradesh have lost money. For many others, the return on investment was pitiful.
"Acharya," starring chiranjeevi and ram Charan, was also sold for a hefty price, with the producers opting for exorbitant ticket pricing. The movie turned out to be a flop. Only 20% of all distributors' investments had been recouped. "Sarkaru Vaari Paata" distributors have scarcely received their money. The pattern is obvious. Massive openings can only be achieved by major action plays (KGF2) and visual spectacles (RRR). Others are forced to rely solely on word-of-mouth and online reviews. In this situation, it would be stupid to seek large sums of money from distributors for prospective blockbusters.
The creators of trivikram and Mahesh Babu's film are reportedly quoting theatre fees in the range of Rs 130 to 140 crore. They are requesting Rs 40 crore for each of andhra pradesh and Nizam. Ceded is expected to bring in Rs 15 crore. The best solution is to reduce the quote and increase earnings if the picture is a major smash. If Trivikram's picture earns these figures, other blockbusters like as 'NTR30,' 'RC15,' 'Salaar,' and 'Pushpa 2' will want even more. Clearly, our forefathers have not learned from recent events.