18 Pages has Dragging Climax and these Negatives

SIBY JEYYA
The 18-page screenplay is not linear. It is the most effective technique to tell this story. However, this back-and-forth narration wears thin to the point where it often turns us off since it emotionally distances the spectator from Nandini's story. By disclosing minor things one at a time in the first scene, Nandini captures the audience's attention. The second part is primarily about solving the puzzles and having