Pushpa 2 and Marco Are BIG HITS - But Baby John Failed... Why?
Another movie that has garnered comparable praise is Unni Mukundan's malayalam action-thriller Marco, even though pushpa 2 has done well at the box office and in theater reviews. Marco, which has garnered over Rs. 50 crores at the box office, is regarded as one of the most violent movies ever created. In a recent interview, Unni, who plays the lead, talked about the popularity of his movie.
The actor also brought up pushpa 2: The Rule, stating that although the movie had big names and was produced on a large budget, viewers' tastes had changed and that occasionally they were unable to relate to it. According to Unni, audiences are very intelligent, and ultimately, a movie's substance determines whether or not it will appeal to everyone.
Unni also discussed the state of pan-Indian film, stating that while hundreds are now being produced or planned, just a small number of them have the potential to be successful. Notably, the strongest instances that support Unni's claims are the collections of Marco and pushpa 2: The Rule. Producers have overlooked the fact that, even if a film is a straightforward tale produced on a very tight budget, people still want to see it in theaters.
Enough elements should be included in the screenplay to maintain viewer interest. This explains why audiences have embraced the aforementioned flicks. Recently, Baby john failed miserably because it lacked originality. It was boring and out of date. Without content, no movie can make it via PR and promotion alone. Producers must now emphadata-size ideas that will appeal to both single-screen and multiplex consumers rather than concentrating on topics that would only appeal to a specific segment of the audience.
The actor also brought up pushpa 2: The Rule, stating that although the movie had big names and was produced on a large budget, viewers' tastes had changed and that occasionally they were unable to relate to it. According to Unni, audiences are very intelligent, and ultimately, a movie's substance determines whether or not it will appeal to everyone.
Unni also discussed the state of pan-Indian film, stating that while hundreds are now being produced or planned, just a small number of them have the potential to be successful. Notably, the strongest instances that support Unni's claims are the collections of Marco and pushpa 2: The Rule. Producers have overlooked the fact that, even if a film is a straightforward tale produced on a very tight budget, people still want to see it in theaters.
Enough elements should be included in the screenplay to maintain viewer interest. This explains why audiences have embraced the aforementioned flicks. Recently, Baby john failed miserably because it lacked originality. It was boring and out of date. Without content, no movie can make it via PR and promotion alone. Producers must now emphadata-size ideas that will appeal to both single-screen and multiplex consumers rather than concentrating on topics that would only appeal to a specific segment of the audience.