Indian Censor Board's SHOCKING Behaviour

SIBY JEYYA
The Central Board of Film Certifying (CBFC), the indian Censor Board's primary certifying body, has long struggled with its identity. They have frequently chosen options based on the audience, figuring out what is in line with indian norms. Nonetheless, there appears to be a good shift in this tendency.
 
Due to its violent, graphic, and frightening aspects, the CBFC has approved two films in the last two weeks without any changes, despite expectations of strict censorship. Long Legs, the forthcoming horror movie starring Nicolas Cage and hailed as one of the greatest of the year, was approved without any changes. The film has been cleared with no additional edits, despite its graphic content and profanity, and its duration corresponds with the international release.

Similarly, this week saw the uncut approval of karan Johar's violent action movie Kill. Its intense action sequences, which are unheard of in indian cinema, have received high appreciation from viewers. The film might not have been as well-liked by its intended audience without these sequences. It's a wonderful thing that the CBFC is letting viewers use their common sense when choosing what to watch. Their role is not to play it too safe, but to certify the film as U, U/A, or Adults.

Even innocent jokes about religion, sex, gender, or ethnicity can make unpleasant headlines in today's sensitive environment. The censor board wants to steer clear of controversy, but when it comes to art, they have a limited amount of control. Imagine if in Pathaan, deepika Padukone's bikini colour angered people. Individuals who are easily offended will constantly find something to be upset by. No matter how many scenes are removed, a film will never be objectionable.
 
The CBFC must become more accepting and acknowledge that it is not to blame if viewers find some scenes offensive. indian films have long featured sequences of women in the swimming suits and even in the undress, dating back to the 1980s. In contrast to what these films portray in its most blatantly explicit versions, today's audience is more exposed to sex, abuse, profanity, slang, and other contentious subjects. Fortunately, things are starting to change. Recent acts by the CBFC point to a change in strategy towards a more liberal one that places greater faith in the maturity and intellect of the audience.
 


 
 

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