Baby Movie: Which Wine? Which Bottle?
Anand Devarakonda's star-studded, low-budget movie "Baby" is currently receiving a lot of attention thanks to aggressive marketing on the part of the producers. It appears that a few of the movie's songs are big hits since the movie received a tonne of exposure even before its official promotion began. Many are speculating about the film's potential box office success as it prepares to open in theatres this Friday.
In fact, a group of followers who believe that ladies always cheat on boys when it comes to love gave the 'Baby' clip a lot of praise. Many young loves, and especially jilted lovers, linked, especially for some phrases where the heroine promises to teach the hero how a female may hit a boy powerfully in the heart. The packaging is what counts, not the triangle plot of two males falling in love with the same female, the girl picking one first, switching to the other next, and then breaking up with both of them. The movie may be an old bottle of wine, but to increase the box office, it needs to be presented beautifully like a new bottle of wine.
But because the plot is well known, what really counts is the writing and how interesting each scene was. Like many recent statements made by young actors about their films, the majority of which are subpar works, every producer these days asserts that their production is rocking and will become a blockbuster. Even Baby director Sai Rajesh made a similar assertion. They are so certain that premiere shows will happen, but we must wait and see if their faith in the quality of the material will also hold in the theatres. 'Baby' should demonstrate whether fresh wine is in a dazzling bottle or old wine in a new bottle, and if it does, director Sai Rajesh and the film's principal performers won't be able to go back.
In fact, a group of followers who believe that ladies always cheat on boys when it comes to love gave the 'Baby' clip a lot of praise. Many young loves, and especially jilted lovers, linked, especially for some phrases where the heroine promises to teach the hero how a female may hit a boy powerfully in the heart. The packaging is what counts, not the triangle plot of two males falling in love with the same female, the girl picking one first, switching to the other next, and then breaking up with both of them. The movie may be an old bottle of wine, but to increase the box office, it needs to be presented beautifully like a new bottle of wine.
But because the plot is well known, what really counts is the writing and how interesting each scene was. Like many recent statements made by young actors about their films, the majority of which are subpar works, every producer these days asserts that their production is rocking and will become a blockbuster. Even Baby director Sai Rajesh made a similar assertion. They are so certain that premiere shows will happen, but we must wait and see if their faith in the quality of the material will also hold in the theatres. 'Baby' should demonstrate whether fresh wine is in a dazzling bottle or old wine in a new bottle, and if it does, director Sai Rajesh and the film's principal performers won't be able to go back.