With the entire food-related track, the second half offers the chance to rev things up. But the storyline once more wanders into the outmoded territory. Everything builds to a dramatic climax where, at the very end, a message is given. The message is worthwhile and relevant, which makes one question what would have happened if the film had been produced in a more modern manner.
Overall, Ramabanam has a timely message in the conclusion, but neither its subject nor its presentation is very innovative. Even the most ardent fans of mass entertainment find it difficult to sit through this repetitive mass fare because it is so routine. The story features numerous comedians, including Ali, vennela Kishore, Sathya, and Get Up Seenu. They occasionally perform their duties, but they definitely stand out. Nasser, Subhalekha Sudhakar, Sachin Khedekar, and other actors are wasted in unimportant roles.
It must be Ramabanam, with music by Mickey J. Mayer, where a music director appeared to be an absolute outcast. He has performed a few mass fares in the past, but they always seemed forced. He doesn't even do that here. Ramabanam is one of the musician's more easily forgotten albums. The images created by Vetri Palanisamy are also clearly out of date. The colouring scheme exudes an unnatural quality.