The tamil directors hari and Harish have created a tale with a distinct plot element. Medical mafias and bad physicians are a popular motif in movies. Films with a surrogacy subject have also appeared. All of these components are combined in "Yashoda," which uses the framework to create a radically different story. Because it blends two unrelated stories—a murder inquiry and a surrogacy centre scam—"Yashoda" starts out differently. However, the drama and intrigue are steadily built up by the directors before the break. The thriller's biggest draw is its pre-interval moments. They are thrillingly photographed in addition to being well-written.
But after that, the enthusiasm starts to fade. After a while, it also becomes predictable. Although stunning, the story's twist is also predictable. A similar plot twist was first seen in a well-known blockbuster 15 years ago, and it has since been used in a number of movies. Varalaxmi sarath kumar and unni mukundan are involved in a flashback story. We are not quite convinced by this story. It seems to be surdata-face-level. The character arcs of Varalxaxmi and unni mukundan are underwritten.
Even if the plot and overall concept are appealing, certain crucial sequences are poorly performed. The event involving murali Sharma and sampath raj was far too predictable. Yashoda functions in sections. The film's strong qualities are Samantha's acting and presence, the overall idea, and specific scenes. Even with some predictability, it's a passable watch.