Director of Like, Share, & Subscribe is Merlapaka gandhi of venkatadri express and Express raja fame. It is primarily a comedic film with a sombre setting. One can wonder how the serious tone of the movie's opening could be related to the main plot. Nevertheless, despite the fact that confusion reigns, things gradually become evident. Thus, the 1990s are the setting for the story. The Naxals exist because of this, but the 'vlogging' and 'YouTube culture' doesn't make sense. But those difficulties are overshadowed by the more important ones.
The humour is ineffective. The director's original setup is good and immediately appeals to the younger age, but the jokes still need to be funny for the concept to be effective. Here, Like, Share, and Subscribe struggle. One grows weary of the lacklustre proceedings and weak narrative. Only a few of the jokes are funny, and the prose is dull. And a story instantly becomes boring when its sole purpose is to amuse. There are multiple levels to the action, and the humour is different in two ways: one involves vlogging and the circumstances around it, and the other is Naxalism. These are not blended together neatly, thus confusing the story and giving it a jumbled, untidy appearance.
Around the halfway point, the story undergoes a minor twist that hardly stands out. One anticipates the second half in hopes of finding better writing and amusement, but that doesn't happen. With its various personalities coming together in the second half, there is even more confusion and ugliness. One is confused by the mixture of satires, black comedy, everyday comedy, and other types. We wonder what would have happened if the director had given the film a script-level rating based on a certain rating segment.