"I'm frightened you'll lose yourself," ali Rila adds, looking at Yunus. It frightens me that you can hide what you see since you are so close to them. The apertures can also be used to lock the doors. "Philosophy appears to have totally shut the door!" The storey explores the meaning of life, death, sovereignty, how to recognise God's existence, how the impoverished, sick, war-torn, and those who have lost relationships see the world, their philosophy of life, and what individuals in the post-modern world cling to as their life's grip.
The novel is told from Yunus' point of view. The narrative reaches a theoretical platform thanks to Yunus' flow of thoughts and recollections, as well as Yunus' discussion with others. Jonah is baffled as to how the world can be in such perfect harmony. Pasha also commits suicide as a result of the chaos. If Yunus was perplexed by the existence of God, Pasha was perplexed by the essence of love. Pasha has a crush on one of her students. He couldn't comprehend the emotion of love. திணறிப்போகிறார். His physics theories were unable to categorise it. This endeavour traps him in an unbreakable cycle.
There is a significant difference between American and european books that deal with existential issues. In Western books, existentialism is the voice that rises from the heart of individualism. They have a kind of duality about them. However, the novel's heart, which explores existentialism, encapsulates the spirit of Islamic civilization. Despite the ambiguity of Yunus' hesitancy, pessimism, and pursuit, it is philosophical in the presence of Sayyah, Mahradat, and ali Rila (the believers).