Shankar, who is renowned for his own approach in indian film, especially with political dramas, is the director of Game Changer. In his comfort zone, he returns this time with a plot that is predictable and uncomplicated. To be believable and interesting, the script, however, is in dire need of revision. It is insufficient since he is dealing with a political topic, and politics in real life are far more intricate and amusing. Simply said, a simple and uncomplicated political story is insufficient, and here is where Shankar's Game Changer falls short.
The narrative is rather straightforward and uninteresting. The movie opens with srikanth introducing the plot in a gripping and fascinating political context. But what comes next is a formulaic pattern: a family scene, a hero entrance song, and a hero introduction fight. There are early questions about whether shankar is actually trying to present a powerful political drama because of this predictable start.
Shankar made the decision to show ram Charan in a variety of age groups and appearances in order to inject some new life into the story. But once more, he is unable to add a novel element or viewpoint to the narrative. Consider ram Charan, who was younger. The only good thing about him is that he looks fantastic. The love song is so cliched and out of date. It's odd that he decided to make the character irritable and prone to anger management problems. One instantly thinks of characters like arjun reddy after watching this. Unless the concepts are truly new, it is very hard to replicate or produce the same intensity utilizing the rage perspective.
The narrative is rather straightforward and uninteresting. The movie opens with srikanth introducing the plot in a gripping and fascinating political context. But what comes next is a formulaic pattern: a family scene, a hero entrance song, and a hero introduction fight. There are early questions about whether shankar is actually trying to present a powerful political drama because of this predictable start.
Shankar made the decision to show ram Charan in a variety of age groups and appearances in order to inject some new life into the story. But once more, he is unable to add a novel element or viewpoint to the narrative. Consider ram Charan, who was younger. The only good thing about him is that he looks fantastic. The love song is so cliched and out of date. It's odd that he decided to make the character irritable and prone to anger management problems. One instantly thinks of characters like arjun reddy after watching this. Unless the concepts are truly new, it is very hard to replicate or produce the same intensity utilizing the rage perspective.
