Ramya Krishna, a significant character in the plot, arrives briefly in the second half. The supposed-to-work comedy, such as Sreeleela's instagram reel comedy, appears pallid. It's odd to find mediocre humour in a film directed by trivikram in 2024. In addition, the picture is heavily influenced by other films, potentially including the director's own work. Even crucial elements such as prakash raj showing his true colours to his daughter have little impact. Finally, when ramana reconciles with his mother, there is little feeling or emotion. Even the climax had little impact after leaving the theatre.
Despite this, there is just one good factor: Mahesh's free-flowing ease. The conversations written for him work, albeit infrequently. The mass singing in the second half is wonderful and boosts the energy. Overall, guntur Kaaram may be viewed once during the festive season with modest expectations in terms of novelty, action, or emotions, other from Mahesh's enthusiasm.
Although guntur Kaaram has a large supporting cast, only a few, such as vennela Kishore, receive continuous screen time. He performs what is written for him comfortably, even if his combination parts with the hero aren't always humorous. Surprisingly, in a trivikram film, a star like ramya krishnan is given a badly written central role, with not a single moment that stands out for her acting or the script. This demonstrates how ineffective the emotional effort was in the writing department. Jagapathi Babu, in a brief appearance, has little impact; instead, he comes off as cartoonish and comical.