An orphan and tattoo artist named gautam (Sohel) despises children. mahi (Roopa Kodavayur), on the other hand, is madly in love with gautam and has proposed to him. With the caveat that he doesn't want children, gautam agrees to marry Mahi. They get married once she agrees. After a few months, mahi becomes pregnant. An irate gautam tells her that he will carry the kid and gets the fetus swapped, leading to his own pregnancy. The fundamental narrative is why gautam made such a significant decision and what most recently occurred to him.

Sohel gets to play a pregnant man, which is a role he has always wanted to play. The young actor does admirably in all of the scenes in which he is expecting. He overacts at first in the role of a tattoo artist, but as he gets pregnant, he gives the best performance during the climax. mani ratnam -Latest Updates, Photos, Videos are a click away, CLICK NOW">suhasini mani ratnam was excellent in her major part. Roopa, the primary character, does a respectable job. Roopa might have been much better in all the emotional parts because her character is significant, but she lacks the necessary impact. brahmaji and viva harsha make for hilarious actors.

The soundtrack was composed by shravan Bharadwaj, who did a respectable job. Two songs were nicely filmed. Nice camerawork shows off the downtown setting as well as the hospital prenatal scenes. The first half of the song has mediocre editing and mediocre lyrics. The movie's opening ten minutes can be cut at the very least. Only the second part of the screenplay, when the emotions are at their peak, is clever. Since filmmaker srinivas chose a significant subject, the writing is respectable.

The protagonist of Mr. pregnant is a man who wants to carry his wife's child inside of him. As a script, this sounds intriguing in and of itself. Although the subject srinivas has selected is excellent, it remains to be seen how he will present it. The picture offers some passable emotions that are not contrived and look beautiful. The trailers generated a lot of attention. However, one must endure the tedious first hour of them in order to enjoy them.

One may get a sense of the plot of the movie from the forced comedy, forced love story, and dull introductions to the hero and his character and the heroine. However, things start to get intriguing when the major twist—the couple becoming pregnant and Sohel wishing to carry the child in him—arrises. The moments that follow and his wife's persuasion tactics are skillfully displayed. Suhasini's character gives the movie a lot of depth and convinces us that the man really is going to fall pregnant.

The director did his study and used real-world situations to demonstrate male pregnancy. The way the director uses Brahmaji's persona to raise doubt about the pregnancy is also effective. This period produced some wonderful comedy. The film's final thirty minutes are done well and have some lovely scenes. The film ends well thanks to a well-executed finale and Sohel's discussion of the man becoming pregnant.

Overall, this film fits for OTT watch for ladies.